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Brico015
Nuthre & Vaughn
Here's Some Music

1-Here's Some Music Part One 20'03"
2-Here's Some Music Part Two 25'46"

total time - 45'49"
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_technical_info

Part One recorded in 2002 at the Electronic Music Lab in the University of Saskatchewan, date unknown
Nuthre-computer & cds
Jon Vaughn-no-input mixing board, percussion, synthi 100

Part Two recorded September 10, 2001 at the Electronic Music Lab in the University of Saskatchewan
Nuthre-turntable & cds
Jon Vaughn-no-input mixing boards

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_label_statement~

"Here's Some Music" is Nuthre and Vaughn's most challenging and hallucinatory collection of works yet...
a real mind-bender! All sounds were recorded exclusively in the Electronic Music Lab at the University of Saskatchewan's
Music Department, late at night on two occasions in two different years. One of the recordings took place September 10,
2001, "Part Two", a premonition of the chaos that the world would feel that next morning. "Part One", is a post-911
composition of 2002, with the message that when all else fails, oh well, "Here's Some Music"! Nuthre and Vaughn's first
collaboration for BricoLodge, and the their third collaboration to be released on net.labels, with other releases on
Nishi and Panospria.

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_artist_statement

Here's Some Music -> Liner Notes
Here some music is -> bushings notices
Is here Some Music -> the Grades of Paquebot
Here Some Music is -> line apparatus Annotations
Here - Some Music> Notes of the Liner
Here is Some Music -> Notes of Transatlantic
1st - transparency of process
1st - foil of works
First - the draft transparency
1-st - a transparency of process
1st - transparency of processes
First - transparency of processes

volume vs. loudness vs. frequency range & psycho-acoustics.
volume against volume against frequency range & psycho pathos acoustics.
the volume vs. the volume vs. the frequency range & the crazy acoustics.
volume against luidheid against frequency reach & psychoot-acoustic.
The volume (edition) against loudness against frequency settles down also ??-acoustics.
the volume vs. the force vs. the range of the frequency & the psico-acoustics.

not a typical jam session.
No typical Jamsession.
Not a typical meeting of traffic jam.
That typical jam session.
Not typical session of a fuse (jam).
Not a typical session of marmalade.

pre-arranged recording space = pre-arranged music =
space & time of bodies = space & time of music.
record of an event.
Arrange recording place before = arranges music before =
place & time of the bodies = place & time of the music.
Record of an event.
Set up in advance recording the space = sets up in advance the music =
the space & the bodies time = the space & the music time.
The file of an event.
You and regulate register beforehand space = regulates beforehand music =
space & time of authorities = space & time of music.
The indication of an event.
Beforehand prepared place (space) of registration = beforehand prepared music =
Place (space) and time of bodies (bodies) = a place (space) and time of music.
The report (record) of a case.
Organize beforehand registering the space = organizes beforehand the music =
the space & time of bodies = the space & time of the music.
The registration of an event.

despite what you've heard
that me might like
for 45 minutes.
In spite of what you belonged
that for 45 minutes
like could me.
Despite this that you heard
that could like me
for 45 minutes.
Waarondanks you heard
have that me of for 45 minutes
perhaps want to hold.
In spite of the fact that you heard
That could love me
Within 45 minutes.
In spite of what you has heard
that me perhaps want
for 45 minutes.

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Nuthre
______

Nuthre is Jeff Morton, a saskatoon based jazz and electronic musician/composer (with a bachelor's degree in music theory
and composition from the university of saskatchewan).

One of the main players in the Saskatoon jazz and electronic scenes, his ensembles and solo work can be heard regularly
throughout the city.

Jon_Vaughn
__________

As an essential bad seed that makes mutations go off, Jon Vaughn's prolific practice spans DJing, improvisation,
production, composition, event programming, VJing, painting, workshop facilitation, and playing zombies in low-budget
quickies. Vaughn's electronic & electroacoustic music production works with experimental concepts and approaches to
cultures of sound & how they are organized and connected or not why & what if, etc, while also exploiting various techno
genres through his energetic, seamless, and shockingly fun style of performance. Always pushing himself to find the
next aural fascination, Vaughn moves through many genres in his DJing repertoire, mixing old and new together to create
deeply referential juxtapositions that can be appreciated by the seasoned ear. Digging deeper in Vaughn's musical closet,
one finds a treasure trail of improvisation, collaborative compositions, and a maybe even a guitar. Renound for his
exceptionally rich and detailed spastic delicacy, as well as his pervasive sense of humour, Jon Vaughn stands alone
with his risqué audiopolitiks.

Jon Vaughn is co-Director of the BricoLodge net.label with fellow artist and main-brain Carrie Gates, which is a
culmination of the their pan-Canadian and International love networks, which span other net.labels (in which you
will find more of Vaughn's releases) such as No Type, Panospria, Nishi & Slapart. Vaughn also helps develop the fabric
of his community by organizing events with his collegues, selected events include: Digidome Festival of Electronic Art,
hosted by Saskatoon-based artist-run centre paved Art & New Media in the (RIP) Ramada Golf Dome Digidome and Phantom
Power, hosted by The Kennedy Gallery in North Bay Ontario in a very old haunted opera house.

In October of 2003, Vaughn released an CD with the Montreal-based label and collective, No Type. The disc was released
in conjuction with a live performance at the No Type-cureated Pre-rien sub-series of the Rien-a-Voir festival. The CD
is entitled 'Front', and is the result of an intense three-year collaboration with Halifax-based activist and audio-visual
artist, Max Haiven. Front is undoubtably Vaughn's (and Haiven's) most experimental, challenging, complex, and enjoyable
work to date.

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BricoLodge is a net.label for eclectic techno, playful composition and
complex experimentation that emerged from artistic and cultural exchanges
between the site directors, Carrie Gates and Jon Vaughn and other artists
from across Canada and the world since the turn of the 21st Century.

http://www.notype.com/bricolodge/

bricolodge@gmail.com

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